Gold Pavements

ΕΚΘΕΣΕΙΣ

Αγγελική Συμεωνίδη

Η ζωγράφος Αγγελική Συμεωνίδη παρουσιάζει την Παρασκευή 1η Δεκεμβρίου τη νέα της εικαστική δουλειά με τίτλο «Gold Pavements» στην Γκαλερί ‘Tsantilis Art’, με έργα εμπνευσμένα από τις σπασμένες-ραγισμένες πλάκες των Αθηναϊκών πεζοδρομίων.

Η δουλειά αυτή προέκυψε από μια σειρά ασπρόμαυρων φωτογραφιών που η ίδια επιμελήθηκε, κοντινά πλάνα των ραγισμένων απ’ την αμείλικτη φθορά του χρόνου πεζοδρομίων της Αθήνας.

Οι αλλοιώσεις της ύλης αποτυπώνονται στις χαραγματιές του συμπαγούς τσιμέντου, στις βαθιές ρυτίδες που διαπερνούν την επιφάνεια απ’ άκρη σ’ άκρη, σαν ζωντανή μνήμη των αέναων εναλλαγών των εποχών.

'Tsantilis Art' Gallery presents 'Gold Pavements', a solo exhibition by acclaimed visual artist Aggeliki Simeonidi.

Aggeliki Simeonidi studied Fine Arts at the Aristotle University of Thessaloniki. She also took Etching lessons with X. Sahinis and History of Art lessons with the accredited historian E. Mavromatis. Since 1999, she has been a Painting teacher and International Association of Art member.

Her works can be found in many private collections in Greece and abroad. She has participated in many group and solo exhibitions.

Drawing inspiration from close-up shots of sidewalks, the artist developed a series of small engravings, in which she sought to recreate the impression of abstract lines and the arbitrary corrosion of concrete matter. Afterward, these patterns were transposed on paper, and with the technique of collage, she created “Gold Pavements”, a series of works that depict the perpetual changes of seasons, weather conditions, and the ceaseless steps of Drawing inspiration from close-up shots of sidewalks, the artist developed a series of small engravings, in which she sought to recreate the impression of abstract lines and the arbitrary corrosion of concrete matter. Afterward, these patterns were transposed on paper, and with the technique of collage, she created “Gold Pavements”, a series of works that depict the perpetual changes of seasons, weather conditions, and the ceaseless steps of passersby,